EXHIBITON of the photo series Bureaucratics by Jan Banning (NL) at Loft Project ETAGI (Saint Petersburg, RU)
April – June 2010
Saint Petersburg || Russia
in collaboration with Jan Banning and Loft Project ETAGI (RU)
From Jan Banning’s website Bureaucratics is a project consisting of a book (ISBN 978-1-59005-232-7, now sold out) and a traveling exhibition that has so far been shown in museums and galleries in some twenty countries on five continents. The book and the exhibition contain 50 photographs and are the product of an anarchist’s heart, a historian’s mind and an artist’s eye. Bureaucratics is a comparative photographic study of the culture, rituals and symbols of state civil administrations and its servants in eight countries on five continents, selected on the basis of political, historical and cultural considerations: Bolivia, China, France, India, Liberia, Russia, the United States, and Yemen. In each country, I visited up to hundreds of offices of members of the executive in different services and at different levels. The visits were unannounced and the accompanying writer, Will Tinnemans*, by interviewing kept the employees from tidying up or clearing the office. That way, the photos show what a local citizen would be confronted with when entering.
The photography has a conceptual, typological approach reminding of August Sander’s ‘Menschen des 20 Jahrhunderts’ (‘People of the Twentieth Century’). Each subject is posed behind his or her desk. The photos all have a square format (fitting the subject), are shot from the same height (that of the client), with the desk – its front or side photographed parallel to the horizontal edges of the frame – serving as a bulwark protecting the representative of rule and regulation against the individual citizen, the warm-blooded exception. They are full of telling details that sometimes reveal the way the state proclaims its power or the bureaucrat’s rank and function, sometimes of a more private character and are accompanied by information such as name, age, function and salary. Though there is a high degree of humour and absurdity in these photos, they also show compassion with the inhabitants of the state’s paper labyrinth.
EXHIBITON of the photo series Bureaucratics by Jan Banning (NL) at Loft Project ETAGI (Saint Petersburg, RU)
April – June 2010
Saint Petersburg || Russia
in collaboration with Jan Banning and Loft Project ETAGI (RU)
for the Netherlands Institute in Saint Petersburg (RU)
Project development and coordination, curating
From Jan Banning’s website
Bureaucratics is a project consisting of a book (ISBN 978-1-59005-232-7, now sold out) and a traveling exhibition that has so far been shown in museums and galleries in some twenty countries on five continents. The book and the exhibition contain 50 photographs and are the product of an anarchist’s heart, a historian’s mind and an artist’s eye. Bureaucratics is a comparative photographic study of the culture, rituals and symbols of state civil administrations and its servants in eight countries on five continents, selected on the basis of political, historical and cultural considerations: Bolivia, China, France, India, Liberia, Russia, the United States, and Yemen. In each country, I visited up to hundreds of offices of members of the executive in different services and at different levels. The visits were unannounced and the accompanying writer, Will Tinnemans*, by interviewing kept the employees from tidying up or clearing the office. That way, the photos show what a local citizen would be confronted with when entering.
The photography has a conceptual, typological approach reminding of August Sander’s ‘Menschen des 20 Jahrhunderts’ (‘People of the Twentieth Century’). Each subject is posed behind his or her desk. The photos all have a square format (fitting the subject), are shot from the same height (that of the client), with the desk – its front or side photographed parallel to the horizontal edges of the frame – serving as a bulwark protecting the representative of rule and regulation against the individual citizen, the warm-blooded exception. They are full of telling details that sometimes reveal the way the state proclaims its power or the bureaucrat’s rank and function, sometimes of a more private character and are accompanied by information such as name, age, function and salary. Though there is a high degree of humour and absurdity in these photos, they also show compassion with the inhabitants of the state’s paper labyrinth.
Jan Banning
* Will Tinnemans – a dear friend who died 2014-10-28
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